Zur Kategorisierbarkeit von Filmmonstern:
As for the beast itself, well, Hollywood creatures adhere to one of two models: the Ernest Borgnine (wide, toadish, grinning) or the James Woods (vulpine, pointy-faced, unfriendly), and our chum in “Cloverfield,” with his crutchlike arrangement of limbs, springs firmly from the latter camp. [Via]
